Thursday 6 August 2009
Wednesday 13 May 2009
Dear audio software makers...
...stop living in the past. This is the Sony Oxford EQ, widely considered one of the best EQ plugins:
...and this is Tracktion's built-in EQ:
They're both extremely similar in both function, and the amount of control they offer, but the second works like a real computer program (drag and swoosh the circles around til it sounds as you wish), while the first, 'pro' offering has a pile of twaddly little knobs as if keyboards and mice were never invented. Crossing fingers that one day, VST makers will realise that they're designing GUIs, not rack units
Friday 1 May 2009
Monday 16 March 2009
Seeing infinity
I'm not a Sasha Frere-Jones fan (due to tripe like his "Paler Shade of White" nonsense), but this really resonated:
Russell’s recording sessions were a departure from the average hit-making process: they were closer in principle to jazz than to pop or dance. Musicians received brief instructions, rehearsed equally briefly, and then played for as long as felt right. Tapes from these sessions were then edited and recombined to make multiple records, a practice common to Jamaican pop forms like dub reggae. Russell often mixed songs more than ten times, highlighting different instruments each time, seeing infinity in an inch of tape.
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